
Review: 'Pretty Woman: The Musical' Trades the Film's Chemistry for Crooning

Review: 'Be Here Now' is a Glorious, Stunning Representation of the 60s

It’s slightly jarring to see the Kalamazoo Civic Theatre mainstage completely exposed as director Todd Espeland’s “To Kill a Mockingbird” begins: At first, there is nothing on the stage except a dozen or so empty chairs.
At first glance, you might wonder how the work of S.E. Hinton could possibly connect with today’s teens. Something of a trailblazer in the 1960s, Hinton was barely out of high school when she sold “The Outsiders,” a strikingly honest look at high school life and gang rivalries that her publishers feared would be overlooked if critics knew it was written by a woman (the initials stand for Susan Eloise).
Created as a speakeasy-style venue to hear live blues in downtown Muskegon, The Alley Door Club even had an alley door entrance when it kicked off 11 years ago.
During a time of year when there is not a lot to do in Muskegon and there aren’t many people around, Alley Door’s longevity is a testament to its success. The club added craft beer to the lineup last year and will celebrate another season with local and regional musicians and beer on tap from West Michigan breweries. For those who don’t like beer, there’s also a full bar.
Opera Grand Rapids has hired Maestro James Meena as its new artistic director, beginning in the 2017-2018 season.
At “Mozart, Mahler and Marcelo,” the Grand Rapids Symphony presented an evening of musical contrasts.
Last night, Grand Rapids community members crowded into an apartment-turned-venue off South Division Avenue to see “The Vagina Monologues.”
David Shannon’s work has appeared in publications like The New York Times, Time and Rolling Stone, but he found a true calling by going back to his childhood roots.
In an age of effortless access to music of all kinds, exploring the commonalities between seemingly disparate music styles is one way to make sense of it all. Violinist Gene Hahn and cellist Jeremy Crosmer are doing just that, deconstructing the stigmas associated with different genres through their acoustic string group, ESME.
Linda Boston said she remembers when discussions about menopause used to happen in whispered tones.
The cast and crew in Muskegon Civic Theatre’s production of I Hate Hamlet laughed out loud when they first read the script, and they’re betting theatergoers will too.
With “Hand to God,” Actor’s Theatre Grand Rapids will tackle arguably the greatest pain imaginable with a strange blend of dark humor and serious emotions. The show, created by Robert Askins, focuses on 16-year-old Jason, who just lost his father.
Since beginning as an intern in 2010, Christopher Bruce has moved through every education position the Grand Rapids Art Museum has had to offer. Bruce said that experience gives him an interesting perspective for his new role as director of learning and creativity, as he’s seen what works, what doesn’t and why they tried it all.
Poet. Writer. Activist. Storyteller. Grand Rapids native Rachel Gleason is all of these and many more.
Supermarket stationary aisles are rife with cards cheekily announcing 40th birthdays as the harbinger of old age, the demise of youth, and the decline of usefulness. Meanwhile, the Urban Institute for Contemporary Arts (UICA) is choosing instead to celebrate its 40th birthday as a milestone of achievement, with two massive exhibits celebrating diversity and representation.