By now, most people are familiar with Rosie the Riveter, the symbol representing the legions of women who filed into the workplace during World War II to take over the jobs of men sent overseas. Often, they were working to aid the war effort.
For some theaters, celebrating an anniversary like a 35th season could add extra pressure to selecting upcoming performances. Not for the Wharton Center, who tries to outdo itself every year.
Thursday’s opening night of Disgraced by Actors’ Theatre Grand Rapids provoked the audience to address current issues in society, and look in the mirror at their own biases or preconceived judgements.
More than 40 years after it landed on Broadway, there’s still a whole lot of magic left in The Wiz. Behold and believe: Director Jay Berkow’s buoyant, utterly delightful Western Michigan University Theatre production of this African-American revamp of The Wizard of Oz conclusively proves Wicked does not have the market cornered when it comes to Oz-centric musicals.
In the theater, timing is everything, and it’s difficult to imagine a better week than this one for the Kalamazoo Civic to open “By the Way, Meet Vera Stark,” Lynn Nottage’s bittersweet look at the so-called golden age of Hollywood, when African-American actors frequently found themselves with two kinds of parts to choose from.
“Golf is nothing but a good walk. Spoiled.” This paraphrased Mark Twainism opens “The Fox on the Fairway,” the most recent slamming doors farce from playwright Ken Ludwig, now playing at The New Vic Theatre in Kalamazoo.
Holland Symphony Orchestra Music Director Johannes Müller-Stosch likes to give the audience something a little bit different to close out each concert series.
When Fred Sebulske founded Actors’ Theatre Grand Rapids in 1981, his mission was to provoke conversation through theater.
Dann Sytsma’s fixation with the word “crawlspace” led to the birth of an improv group that has become a fixture in Kalamazoo’s entertainment scene.
